The New Mexico Millennium Collection and Fresco Fine Art
| William Berra | |
|---|---|
 | |
| Born | 1952 (age 69–70) York, Pennsylvania |
| Nationality | American |
| Occupation | Painter |
| Spouse(south) | Alanna Burke |
William Berra is an American painter of landscapes, figures, and still life. He is represented past galleries throughout the United States and his work is in many public and private collections. Berra has appeared in over 40 solo and group shows.[one] William Berra lives in the foothills of the Sangre de Cristo Mountains north of Santa Fe with his married woman, Alanna Burke, who is his concern partner and a frequent model in his paintings.
Early life [edit]
In 1952, Berra was born in York, Pennsylvania. As a child he constantly sketched and painted. Past adolescence he was copying the Neo-Archetype painters and old masters, and he supplemented high school with classes at the York Academy of Fine art.[2]
Berra attended the Maryland Found College of Art.[3]
Career [edit]
Berra traveled throughout Due north America, capturing the landscape in studies painted en plein air. In 1976 Berra arrived in Santa Fe, New Mexico. He was dazzled by the landscape and the clarity of the high desert light, and stayed to paint it.[4] His piece of work was chosen for the 1978 Biennial Exhibition at the New Mexico Museum of Art. Jean Seth, owner of Seth's Canyon Road Art Gallery, saw the exhibition and offered him a show and representation. William Berra's career equally a professional artist was born.[5]
Berra spent the 1980s primarily painting Northern New Mexico en plein air. He was influenced by the Macchiaioli painters of 19th century Italy, precursors to the French practitioners of Impressionism, and he experimented with techniques to reach their effects. One technique was that of painting on a board shellacked with an orange base. The undercoating mostly warms the painting, showing through where oil paint is applied sparingly. He likewise placed "complementary hues side by side for maximum visual vibration."[6]
In the 1990s, Berra began to spend more fourth dimension painting in the studio, developing material gathered in plein air sketches and photographs. He expanded his horizons and his bailiwick thing, traveling and painting landscapes in Europe, Hawaii, and throughout Northward America.[7] Italia became a favorite field of study. In one projection, Berra spent time in Rome seeking out views painted in the mid-19th century by a favorite artist, Jean-Baptiste-Camille Corot, and other plein air painters of M Bout subjects.[8] The paintings from this project were the subject of a solo exhibition in 2001.
Berra as well turned his attention increasingly to figurative work. Starting with oil sketches of his wife painted on location in Europe,[9] he developed a style that presents cryptic figures in abstract, unresolved landscapes. He began an ongoing serial of beach scenes that take go increasingly simplified and abstracted in recent years. His nude series presents a female effigy either in intimate domestic settings[ten] or on utterly abstracted backgrounds.[11]
Berra continues to paint landscapes of Europe, both metropolis (Venice, Paris, London, etc.) and country (Tuscany, Provence, Santorini, Mykonos, etc.). He makes almanac trips to the Hawaiian Islands, where dramatic scenery and weather inspire atmospheric landscape paintings.[12] Northern New Mexico is too a subject.
Throughout Berra'southward career, he has produced occasional still life paintings using the aforementioned approach that he uses in his figurative paintings: he simplifies the motif and presents it on an bathetic groundwork. Many of his works, whatever the bailiwick, use negative infinite to isolate the field of study.[thirteen]
Berra besides continues to develop his beach scenes and figurative paintings. He said this almost a painting from his Diving Platform series: "I've been painting landscapes, embankment scenes and figurative work for decades. Diving Platform, Dusk includes elements from them all: the reflective h2o, the evening sky, the figures. This painting represents a new phase in my figurative work. Elements that I've long worked with are combined in unlike ways. The atmosphere of the sunset sky and the way it reflects in the water gives a mood to the figures."[fourteen]
Of Berra's latest piece of work, Nedra Matteucci of Nedra Matteucci Galleries, Santa Fe, says "His paintings have new depth, from surprising figurative work to landscapes that dissimilarity both the familiar and uncommon. His current varied technique and mode in oil, with some on gold-colored metallic leafage, create exciting paintings of people, birds, cattle, and colorful vistas near and far."[15]
In popular civilisation [edit]
In 2008, Stephen King included references to William Berra paintings in his volume Duma Key.[16]
References [edit]
- ^ Wissman, p.14.
- ^ Glenn, p. 98.
- ^ Fauntleroy 2000, p. 90-91.
- ^ Oakton, p. 31.
- ^ Fauntleroy 2000, p. 91.
- ^ Eauclaire, p. 17.
- ^ Boggs, p. 147.
- ^ Smith, p. 49.
- ^ Wissman, p. 15, 17.
- ^ Fauntleroy 2012, p. 34.
- ^ Editors of American Fine art Collector 2012, p. 150.
- ^ Kipp, p. 15.
- ^ Clawson, American Art Collector, p. 093.
- ^ Markle, p. 22.
- ^ Rintala, p. 36.
- ^ King, p.167.
Additional sources [edit]
- Allison, Lesli. "Panorama of Low-cal, Shadow in an Always-Changing Landscape." Santa Fe New Mexican, Pasatiempo, July 4, 1991.
- Boggs, Johnny D. "William Berra: Motivation and Motif." Western Art and Architecture, October/Nov 2012.
- Campbell, Suzan and Deats, Suzanne. Landscapes of New Mexico: Paintings of the Land of Enchantment. Albuquerque, New Mexico; Fresco Fine Fine art Publications, 2006.
- Cauble, Dianne. "Rediscovering the Human Spirit." Focus Santa Fe, Nov/December 1999.
- Clawson, Michael. "William Berra: Inspired by Nature." American Art Collector, June 2017.
- Clawson, Michael. "William Berra: Pristine Skies." Western Art Collector, June 2017.
- Cline, Lynn. "Pecker Berra Finds and Paints a Sense of Identify." Santa Fe New Mexican, Pasatiempo, November 28, 1997.
- Eauclaire, Sally. "Celebrating the Land." Southwest Contour, August 1990.
- Editors of American Art Collector. "The New Tuscan Landscapes of William Berra Leave Something to the Imagination." American Art Collector, December 2005.
- Editors of American Art Collector. "William Berra: Artist Chooses to Visually Simplify Complex Subjects to Assist Viewers Connect with these Paintings." American Art Collector, May 2006.
- Editors of American Art Collector. "William Berra: Chance Encounters." American Art Collector, April 2008.
- Editors of American Art Collector. "International Masters." American Art Collector, October 2010.
- Editors of American Art Collector. "William Berra: Broad Motifs." American Art Collector, November 2012.
- Fauntleroy, Gussie. "The All-time of Both Worlds." Southwest Art, May 2000.
- Fauntleroy, Gussie. "Prove Preview, Au Naturel." Southwest Art, October 2012.
- Fowler, Kathryne and Stem, Nancy Northward. New Mexico Millennium Collection: A Twenty-First Century Celebration of Fine art in New Mexico. Tesuque, New Mexico; The New Mexico Millennium Collection LLC, 2001.
- Glenn, Reed. "A Breath of Plein Air." Southwest Art, August 2010.
- Jarvis, John. "But Better." Art-Talk, August/September 2002.
- King, Stephen. Duma Central. New York, New York; Scribner, 2008.
- Kipp, Kathryn (editor). Art Journeying America Landscapes: 89 Painters' Perspectives. Cincinnati, Ohio; N Low-cal Books, 2012.
- Markle, Jamie and Collector'south Guide Editors. Art Journeying: New United mexican states (104 Painters' Perspectives). Cincinnati, Ohio; The Collector'south Guide, F+W Media Inc., 2009.
- Murphy, Joy Waldron. "Bill Berra." Southwest Art, November 1990.
- Oakton, Neb. "Up the Canyons and Down the Rivers." Focus Santa Fe, June/July 1988.
- Rintala, Laura. "William Berra." Southwest Art, June 2017.
- Smith, Craig. "Summer Countries." Santa Atomic number 26 New Mexican, Pasatiempo cover article August 29, 2003.
- Watson, Lisa Crawford. "Artist William Berra Makes Statements, Only Said with a Plein-Air Fashion." Monterey County Herald, September xix–25, 2002.
- Wissman, Pamela and Stefanie Laufersweiler. Sketchbook Confidential: Secrets from the private sketches of over 40 master artists. Cincinnati, Ohio; North Light Books, 2010.
Source: https://en.wikipedia.org/wiki/William_Berra
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